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Feminist Media Histories 1 July ; 1 3 : — Artificial economies of scarcity are indispensible components of the classic film market, but the critic often feels an urge to save a beloved text, to somehow prevent its loss. Working through both responses in relationship to Looking for Mr.
GoodbarI argue that the film forces a figural and material encounter with loss that pushes its viewer to sit with and accept rather than resist mortality and material transience. In so doing, she gains greater awareness of her own critical motivations and can figure out what it is she truly wants to know about film.
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Looking for Mr. Goodbar